Award Winning Australian Writing 2016

Since starting writing fiction in 2012 I’ve had some fun and exciting experiences. Awards, wins, writers festivals, hanging out with wonderful writing friends and aspiring to reach new heights in the writing world. I read winning stories all the time and I remember saying to my writing group,”imagine having your story published in Award Winning Australian Stories!” Well goal reached! Here I am. ‘The Scent of Life’ is published. Along with ‘Koi’ by Karen Whitelaw, my mentor and friend. It doesn’t get much better than that!
I hope you enjoy the stories in the book when it becomes available. Happy reading!

The Writers' Life

award front cover

back cover awaw back cover

Last Thursday I got the exciting news my story ‘Koi’, which won the Inaugural Newcastle Writers’s Festival Microlit Competition has been selected for the Award Winning Australian Writing 2016 anthology!

And to top it off a writer I work closely with, Maree Gallop, had her story accepted, too! It’s the moving story ‘The Scent of Life’ which won the Forest Fellowship of Australian Writers Short Story Competition.

The book is being launched on 31st August during Melbourne Writers’ Festival week!

The skies above Newcastle are full of flying champagne corks!

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Carmel Bird Masterclass @ The Newcastle Writers Festival

What a privilege to spend a day with Carmel Bird at the Newcastle Writers Festival 2016!

Joined by a small group of keen writers, we discussed inspiration, the elements of short story writing, created our own short stories and were honoured to explore our creations in a one-on-one tutor session with Carmel, as well as sharing our work with each other.

It was loads of fun with some friendly rivalry as we vied for Carmel’s prestigious shortlist and a crack at winning the first prize: the amazing Yellow Eggcup! Congratulations to the winner by the way!

I thoroughly enjoyed the experience and soaked up the atmosphere of inspiration and creativity, which has strengthened my motivation to keep on writing!

Thanks Carmel for sharing your knowledge, humour and a wonderful day.


Hunter Story Creators at the Newcastle Writers Festival

Today we presented at the Newcastle Writers Festival. My presentation was titled, Expressions of Emotion. These are just some ideas that helped improve my writing that I will share with you.

In case you missed our session, here is my transcript!

Thank you Jessie, hi everyone.

At the moment I’m addicted to writing short stories so I always find the time to write because I enjoy it so much. I usually enter my stories into local and national competitions. Some of my stories capture the attention of the judges, whilst others don’t. So when I’m reviewing my stories I like to read the reports by judges so that I can get an idea of what they’re looking for and also to help me find ways of improving my writing so that it will stand out from the crowd. A little while ago I read a report by Jennifer Mills. Jennifer Mills is often currently referred to as Australia’s best short story writer and she’s the editor of Overland Literary Journal. So I was interested to read her comments.

She said, “…Few stories … [in the competition] … displayed the emotional weight of good fiction…” She also said. “…Your story needs to carry 10 times its body weight in emotion…”

Now that seems like a lot of emotion and a lot of hard work. And as I’ve found out it is a lot of hard work and that’s probably why few stories carried enough emotion to have an impact on the judges.

So how do we create that level of emotion, simply through words?

As writers, words are all we have to bring our stories to life. But in real life when we think about emotional situations, words are often elusive. In fact we are often lost for words. When we are faced with difficult situations, like if a friend or relative dies we hear ourselves saying things like, “I don’t really know how I feel right now.” Or, “I can’t find the words to express myself.” These are devastating times, and no amount of words will carry the depth of emotion we feel. In fact sometimes silence is all we have.

So the words that we do attach to emotion are basic intangible words, like happiness, sadness, fear, anger, and so forth. We all understand what these words mean and everyone attaches their own meaning to them. But they can be quite abstract and I’ve found they’re not enough for my writing. They don’t carry nearly enough emotional weight to move the reader.

There are certainly effective techniques that we can use in our stories to describe emotion. Peter Carey used an image of a ‘Happy Hound’ in his story Bliss to describe his character. The reader can immediately conjure up an image of what the character might be like. I got a sense of playfulness and eagerness to please.

Action is another technique to show what kind of person the character is or how they feel, for example, in the story Blood, author Karen Hitchcock used action when she wrote, “Bob’s father ruffled his hair…” I got a sense that the father was proud of his son and this tells us something about Bob’s father.

But I wanted to explore another dimension of writing, one where the reader could actually feel the emotion personally, and become active in the story and be moved by it.

I know for myself that I’ve read some stories where I’ve thought. Yeah… that’s a sad story. And then I’ve read stories that have affected me so much that I’ve literally cried as if the story happened to me, and the emotional impact stayed with me and challenged my way of thinking. It’s as though the author struck a personal chord and made a human connection with me.

These are the stories that carry a lot of emotional weight. So how did the author do that?

We discussed this topic in our writing class, and we looked at some of the techniques that winning authors use and we can start to get an idea of how they evoke emotion so effectively. For example, Evie Wyld is the author of All the Birds, Singing and she won the Miles Franklin Literary Award in 2014. On the back cover is a comment by The New York Times. It states, “…emotionally wrenching…” So I suspect that the reviewer felt powerful emotion and was personally moved by the story.

I just want to read a short paragraph from the book because we can learn a lot from other authors. I didn’t want everyone to cry so I chose an example of fear rather than sadness. Let’s look at how the author allows us to feel her character’s fear by using specific details.


‘There was something sick in the air, like someone had lit a scented candle to mask a bad smell. The house was still. Dog stood by the closed door, looking at the space underneath, his hackles up and his legs straight and stiff, his tail rigid, pointing down. And then one creak, on the ceiling, like someone walked there. I held my breath and listened past the blood thumping in my ears. It was quiet and I pulled the covers up under my chin. The sheets chafed loudly against themselves. Dog stayed fixed on the door. A small growl escaped him.’

Evie Wyld, All the Birds. Singing (2013).

The first time I read that paragraph I felt her fear immediately. But nowhere does the character tell us that she is scared and the author certainly doesn’t use any abstract or intangible emotional words. She uses specific details and the paragraph is more emotional for it. Notice the specific details about the dog; hackles up, tail rigid, pointing down. She’s trusted that the reader would know that the dog was on high alert and ready for attack. She trusted that the reader would feel fear for themselves. I really like that technique.

Back in our writing class, our teacher also referred us to Katherine Mansfield and T.S. Eliot, both authors write emotion powerfully in their work.

T.S. Elliot suggests that, “…The only way of expressing emotion is in the form of an objective correlative…” We can take abstract emotional words such as sadness fear etc. and we can externalize them and make them concrete. I particularly like this technique. We can do this by using an everyday object that serves a purpose for that character. For example this Buddha.

IMG_20160403_090158.jpgSHOW BUDDHA

This Buddha was given to me by my oldest best friend from kindergarten, Janine. Our birthdays are only one day apart. We spent our childhood together hanging out at the beach, riding our bikes together. We even went on holidays with each other’s parents to Foster and North Haven. When we got older, I was her bridesmaid and she was mine. We’re still friends now. When we were about to turn 8, Janine asked her mother to make me something special and her mum made me this Buddha in her ceramics class. Janine gave it to me for my 8th birthday. Underneath Janine engraved a simple message. It says, ‘To Maree from Janine.’ It’s in her 8 year-old handwriting. I’ve had this Buddha for 42 years…. Janine’s mum died unexpectedly, a few years ago.

As you can see this Buddha embodies some of my personal history. And what I did just then was not to tell you how I felt. I didn’t tell you I was happy or sad, but I gave you some brief story details and I showed you the object so that you could feel the emotion yourself.

If I were to write this Buddha into my story, it would become more than just a Buddha it would almost take on a life of its own and become symbolic. The Buddha reveals some personal history about the character and it also embodies concrete emotion that the reader can connect with.

In my most recently published short story, Beside Myself. I used clothes as objects to convey a spectrum of emotions throughout the story. And it seems it paid off, it must have stood out from the crowd in some way because it was judged to be good enough to make it into the finals of the Newcastle Short Story Award 2016 and was published in this book.

Beside Myself is a fictional surreal story inspired by fragments of real events. The story is told from the point of view of an elderly lady who tells her story of life, friendship and loss, through the “de-cluttering” of her wardrobe. I focused on using specific details and objects to convey emotional messages and add layers to my writing.

I’ll read a small piece from the story now so that you can get a sense of what I mean by this. READ FROM THE BOOK.

‘As I stand in front of the wardrobe now the fog clings to my nostril hairs, cold and rank. I raise my right hand. It trembles. I clutch the doorknob and turn. Click. The door eases open. A creak echoes through the bedroom. Clothes hang like statues from weary coat hangers; some wooden, some satin, now discoloured, and some crocheted with tiny purple flowers, once intricately entwined, now hanging limp. The rod bends under the heavy weight of the clothes and the musty smell is overpowering.’

Maree Gallop, Beside Myself, Newcastle Short Story Award Anthology 2016

Now I can’t read you the next part, because it will spoil the story. You can read the rest for yourself in this book if you like.

So what I was aiming to do was to draw the reader’s attention to the wardrobe and allow them to feel some apprehension about opening it, and then I used specific details to describe the coat hangers so that the reader could see inside the wardrobe with the character. The coat hangers as objects also carry emotional layers. The clothes as objects carry emotion throughout the story.

So just to wrap up, I’ve found that the best way for me to add emotional weight to my stories is to go over my drafts and unsuccessful stories and search for opportunities to use these techniques to make my writing POP with emotion.

My goal is to create a human connection through fiction.

Thank you.

(Maree Gallop)



Hunter Story Creators on the radio

At a suburban house in Newcastle, the Hunter Story Creators welcomed Anthony Scully with open arms. His enthusiasm and genuine passion for meeting people and sharing their stories is inspiring. Here’s what he created!

Jessie Ansons

Our lovely writers group have been lucky enough to have a short radio documentary made about us by ABC Open Producer Anthony Scully.

Anthony came along to the Hunter Story Creators group last night and asked questions about writing, writing groups and sharing successes (yes, there was champagne). Anthony has been an incredible supporter of our writers group since the beginning, and he plays a key role in getting local stories heard from all across the Hunter.

It aired this morning at 9:50am, and you can listen to the full SoundCloud piece here:

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The Newcastle Writers Festival 2016


Square event image PINK NWF 2016 - v0.1.jpg

Mental note to self … Keep 1st-3rd April completely free to indulge in the NWF16!

This is the 4th year of the NWF thanks to organiser Rosmarie Milsom. Each year it gets bigger and better spanning over 3 days. There’s something for everyone; successful and established authors such as Carmel Bird, Tim Flannery, Michael Sala, local authors Zeny Giles and Magelena Ball and local writers groups just to name a few events. Check out the program here .

I’m part of the Hunter Story Creators. We’re a small successful writing group in Newcastle who are keen to share some writing tips that have helped us develop our winning and published short stories. I’ll be joined by Diana Threlfo, Anna Lundmark and host Jessie Ansons. We would love to see you at our event! You can find the details here.


Hunter Story Creators website launched!

I’ve come to realise more and more the importance of belonging to a writers group. Apart from having a laugh, sharing stories and ideas, each of us are able to contribute valuable life/writing skills to help each other develop our stories. During our discussions and critiquing sessions we agonise over words (hence the amount of time it took to name the group), find missing links, make connections, fire off neurons and create stories. We’d like to share some of our tips so if you’re interested come along to our session at the Newcastle Writers Festival to ‘Make your writing pop!’ Hope to see you there.

Jessie Ansons

I’ve been part of a writing group for a few years now and, despite being very creative with our writing, we’d struggled coming up with something to call our group.

sIMG_20140619_202023.jpg Our writers group critiquing stories for an upcoming competition

Until now! Yes, we finally committed half an hour to brainstorm some ideas and after considering everything from the ‘Newcastle Writing Collective’ to the ‘Hunter’s Story Gatherers’ we have decided on a name:


The name represents our across-the-Hunter location (not just Newcastle, our members are from Lake Macquarie and the Upper Hunter too), the idea that we don’t write books we tell stories, and that over anything else, we create.

Along with our new name, we have launched a website, where we will re-blog posts from our own websites and let you know about upcoming events and presentations.

To visit our new site, go to

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In Your Wake by Anna Lundmark

I had the privilege of hearing 22, 500 word short stories read out by experienced readers at the Grieve Live Read. I’m pleased to say that so many of my writing group members made it into the book, Anna Lundmark, Diana Threlfo, Dee Taylor and John Gallop. Congratulations! The book is well worth a read.

The Writers' Life

grieveSometimes you come across a short story that is so well-crafted, so packed with emotion, so brilliantly layered, and so creatively imagined it haunts you. Anna Lundmark’s astonishingly short 500 word story, In Your Wake, in the 2015 Grieve anthology from the Hunter Writers’ Centre is such a story.

The ruling metaphor is a hole that appears at her character’s front door. It acts as barrier for people coming to her house. She is always falling into it. All the attempts to fill it in fail. The images are of soil, plants and earth subsiding. The hole is her grief. Deeply hidden under the surface, unspoken and never directly related to, is the haunting connection between the hole and her loved one’s grave.

The final image of a plank laid across the hole is insightfully nuanced and wrought with meaning. For any writer of short short stories In Your…

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Newcastle Writers Festival 20-22 March

Newcastle is about to experience a long weekend full of talented and emerging writers. I personally can’t wait to be there and present with members of my writing group Aidan Walsh, Jessie Ansons and Margaret Jackson. Will will be taking you on a journey from Hobby to Publication and having some fun along the way. Look out for our session The Next Level, it’s free and we would love to see you there.
Regards, Maree

The Writers' Life

nwf2015-programcover-smlThis year’s lineup at the 2015 Newcastle Writers Festival at Newcastle City Hall will thrill any book lover. A taste of the talent: Helen Garner, Marion Halligan, Favel Parrett, Bob Brown, Michael Robotham, Les Murray, and proudly standing alongside them are locals Claire Dunn, Wendy James, Ed Wright, Jean Kent, Michael Sala, Judy Johnson…

The OPENING NIGHT EVENT is hosted by Caroline Baum. Helen Garner, Jessica Rudd and Michael Robotham will talk about the fascinating topic The Book that Changed Me. This already has me trying to decide which book I’d pick.

The full programme is online at Newcastle Writers Festival.

For anyone wanting to send their writing further than their bottom drawer The Next Level: How to take your writing from hobby to publication – Sunday 22 3pm – shouldn’t be missed. With awards in major competitions and work in a variety of online and print markets…

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Community Spirit

Community Spirit – A Valuable Resource

So often we hear about people wanting to grow and develop in their lives. As we get older we may be looking to make sense or meaning from our experiences and knowledge that we’ve accumulated along the way. A time for consolidation perhaps?

When I was younger I loved a good party, who didn’t? It was all about meeting friends, travelling, finding yourself, being an individual and leading a great fun life. But most of us can’t party forever and did I ever really find myself? Probably not!

In fact I’m still evolving. I know it sounds cliche, but it’s true for me. The more I know the more I realise I don’t know. So I keep wanting to know more.

When I started volunteering for a charity organisation called Families Supporting Families (FSF) in 2007 I seriously thought I would not have the time to fit voluntary work into my life. I had a husband, children, friends and work and remnants of a social life. But interestingly enough my volunteer role gave me energy, vitality and a new view of the world.

I realised that by connecting and engaging with people, offering kindness, compassion and hope, I experienced a  fulfilment that had previously been missing. I came to realise that ordinary people can do extraordinary things. I realised that you don’t have to be rich, or a powerful politician to improve quality of life for individuals, families and communities, and in our case (FSF) we didn’t really need  a lot of money to help people. Just generosity and commitment from other community members to make a difference.

Interestingly enough, local business and professionals made that commitment to FSF with little or no monetary gain for themselves. We had little to offer in return apart from the opportunity to help families of children with disabilities. We were humbled by their commitment and sense of social justice to aid our endeavour to promote social inclusion, acceptance and validation within our local community and build community capacity.

My story below, recently published on ABCopen, Open Drum, highlights the personal, professional and community benefits of volunteer work within a local community.

I believe that by nurturing our families and communities we are creating a precious resource that will develop and continue to grow for generations to come. Government’s may change, and money may come and go, but a community rich in spirit will live on.

I recommend you check out other stories as well at ABC Open and Open Drum at the site below as they acknowledge the extraordinary lives and voices of ordinary people within Australia that may not otherwise be heard.

A party animal at heart

By Maree Gallop · 3 min read · From Open Drum
VOLUNTEERING: What are the incentives and the roadblocks?
One of my university lecturers once posed the question, “Are you a political animal?” I deliberated briefly over the question and then thought, “Nah, I’m more of a party animal!”

But in 2007, when a friend asked me to help out on the committee of a charity organisation, I took off my party glasses and joined Families Supporting Families (FSF). It’s an organization run completely by volunteers, mostly parents of children with disabilities. I dared to peer through a different set of glasses, with multi focal lenses, and stepped into an extraordinary world.

My first introduction was to attend a Carer’s Café, an informal free coffee morning for parents and carers. I listened to stories, shared stories, cried, and laughed until I cried. And I made friends.

But over a period of time the number of people attending the Carer’s Cafés dwindled. So our Coordinator called the committee to a strategic planning meeting and asked the question, “What do our members want?”

We brainstormed and came up with four strong recurring themes: help, mateship, hope and a place to belong. We used these themes to develop our unique philosophy. We also identified gaps in service delivery and observed that quality information and learning experiences, that were available to professionals, were not as available to the people who needed them the most – the parents and carers. We recognised that access and affordability were significant barriers to resources in our community.

After theorising for a while I believed that if we were to fulfil our philosophy we would need to build a bridge – a big one! So I gave myself the title of Community Connections person and went about taking on the challenge of meeting our core values.

I liaised with a local family counsellor and on a shoestring budget I organised our first workshop. He guided us in a discussion about relationships and how to keep “it” together. Sixteen people turned up and we provided a forum for people to network over morning tea plus we facilitated a workshop for learning. The feedback was encouraging, so I continued liaising and organizing events, one per school term with the help of local sponsors. These soon became known as our Carer’s Café Plus … Morning tea with the extras. Connecting plus learning. We succeeded in providing a safe environment conducive to reciprocal learning at no expense to the carer.

Our Carer’s Café’s Plus… has evolved over the years as we continue to ask the members what they want. Through evaluation forms at each event, I’m able to collect valuable quantitative and qualitative data to plan future events, meet specific needs and share comments and hope. Our events vary in topic and number of attendees. Our largest being 105 people and smallest being six. But the numbers are not what are important to us. It’s our vision and fundamental goal to promote inclusion, acceptance, value, respect and a sense of belonging. To me it’s just as important to help one person as 100.

Last October I presented my first mental health workshop for mental health month, specific to the needs of families of children with disabilities. I felt privileged and humbled by the acceptance, openness and eagerness of the participants and the positive feedback I received. So mental health month is definitely on the Carer’s Café Plus… calendar again this year.

As a nurse working in the mental health profession I’ve learned from my volunteer role that promoting effective mental wellbeing involves getting a good grasp of the world that people live in. Listening to their stories respectfully, without judgement, and celebrating their successes and uniqueness. This is imperative to decrease the inequalities, social isolation and feelings of invalidation that families often experience.

Our philosophy guides our voluntary work and in 2012 it led us all the way to Parliament House where we received the NSW Carers Award and $2000 for excellence in the group category. I’m proud to be part of the team recognised for making a significant positive impact in our local community and thrilled that politics finally came to the party!

Published 2 days ago. Newcastle NSW 2300